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Robin Maconie (born 22 October 1942 in Auckland, New Zealand) is a New Zealand composer, pianist, and writer. Robin Maconie studied with Frederick Page and Roger Savage at the Victoria University of Wellington, receiving a Master of Arts in the History and Literature of Music in 1964. He studied analysis with Olivier Messiaen in 1963–64 at the Paris Conservatoire, and in 1964–65 studied composition for film and radio under Bernd Alois Zimmermann, and electronic music under Herbert Eimert at the Cologne Conservatory. He also studied composition with Karlheinz Stockhausen, Henri Pousseur, and Luc Ferrari at the Second Cologne Courses for New Music, as well as piano with Aloys Kontarsky, conducting with Herbert Schernus, and information science with Georg Heike. Following a temporary lectureship at the University of Auckland, New Zealand in 1967–69, Maconie emigrated to England to study for a Ph.D in the Psychology of Music at Southampton University. In 1974 Maconie was appointed lecturer in music and technology at the University of Surrey, where he continued until 1985. In 1997 he was appointed Professor of Performing Arts at the Savannah College of Art and Design in Georgia (U.S.). In 2002 he returned to New Zealand, where he lives in Dannevirke. ==Compositions (selective list)== *''Epstein'' (film score), for flute, oboe, and bassoon (1960) *Sonata, for clarinet and piano (1961) *''No Man Is an Island'' (film score), for speaker, solo voices, chorus, and horn (1961) *''Sound of Seeing'' (film score, A. Williams) (1962) *''Basia Memoranda'' (song cycle), voice and string quartet (1962) *''Canzona'', for chamber orchestra (1962) *''Music for a Masque'', for strings (1962) *''Six Easy Pieces'', for piano (1962) *''Three Pieces'', for cello (1962) *''Runaway'' (film score, John O'Shea film), (1963) *''Forbush and the Penguins'' (radio play) (1966) *''The First Wife'', radio play, (1967) *''Maui'' (TV ballet, Maconie, after J. White: Ancient History of Maori), speaker, mime, 6 male dancers, and orchestra (1967–72, rev. 1986) *''Four-Part Invention'', for piano (1963) *''A:B:A'', for harp (1964) *''Ex evangelio Sancti Marci'', for chorus (1964) *''A:D:C'', for piano (1965) *''Solo'', d, vc, (1965) *''Who will be the next statistic?'', electronic music (1966) *''Sonata in Binary Form'', for string quartet (1968) *String Quartet (1970) *''Limina'', modified soundtrack (1975) *Prelude, for 2 amplified melody instruments (1976) *''Mozart-Kugel'', round in 14 parts (1977) *''Pastoral'', for violin (1977) *''Ricercar'', for cello (1977) *''Commedia'', for clarinet, volin, violoncello, and piano, with amplification (1979) *''Raku'', for ensemble (1981) *''Touché'', five movements for computer-generated sound (1983) *''Measures'', computer-generated tape (1984) *''Night Porter’s Carol'', for SATB choir (1991) *15 Songs for ''The Caucasian Chalk Circle'' (after Brecht) (2001) *''Lachrymae: Six Movements for String Orchestra'' (2005) *''Gold Fever'', 21 songs from the gold rush era, for schools and amateurs (2007) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Robin Maconie」の詳細全文を読む スポンサード リンク
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